------------1월 04일 입고완료---------------------------

------------ 55.000 12월 13일경 입고예정임 --------------
-Model number: ESSO-90173~78 (6 Disc) ※ reservation commodity: after December 22, 2017 will be shipped in sequence.

GREAT JAZZ Selection

1) Wynton Kelly / Kelly Blue
2) Bill Evans / Waltz for Debby
3) Wes Montgomery / Full House
4) Bud Powell / The scene CHANGES
5) Lee Morgan / The Sidewinder
6 ) Oscar Peterson / Please requester



KELLY BLUE / Kelly Blue
WYNTON KELLY
Wynton Kelly
(ESS0-90173)

songs
Kelly Blue
refreshing as the morning sun
on Green Dolphin Street
willow'm not late
keep IT MOVING
Old close

Wynton Kelly (piano),
Paul Chambers (bass)
Jimmy Cobb (drums)
Nat Adderley (cornet)
Benny Golson (tenor sax),
Bobby Jaspar (flute)

[label] Riverside
[Record] 1959 February 19 day, March 10, New York
[Original recording producer] Olin keep news
[Super Audio CD producer] Hajimeakira Omachi (esoteric Co., Ltd.)
[Super Audio CD re-mastering engineer] Kazuya Sugimoto (JVC mastering Center (Daikanyama Studio) )
[Super Audio CD authoring] Atsushiotto Fujita (Yes Company F)
[commentary] Ryusuke Nozawa, Hideki Sato

■ full of blues feeling "Korezo jazz" and say great performance
Kelly Do you know the color of green? A very vivid, also looks like a fluorescent color, very color it was prevalent in the United States green thing in the late 50's in the good. Title made by hooking it, "Kelly Blue" became a brilliantly symbolized the name complain of the things the play style of Wynton Kelly. Wynton Kelly showing the overwhelming splendor to blues representation is active since I was a teenager, from the late 1950s that has been appointed to the pianist of the Miles Davis Group, celebrates the heyday of as a pianist. This disk Upon fulfilling life as a pianist Wynton Kelly, his charm full, and great performance that jazz scent of was included whether even this has been packed. Classic piano trio by, which is often taken up frequently used to track it with a wind instrument in jazz that has been incorporated in the interpolation useless, Wynton Kelly at the two sets has more than enough exert its own flavor.



WALTZ FOR DEBBY / Waltz for Debby
BILL EVANS TRIO
Bill Evans
(ESSO-90174)

￭ Track
My Foolish Heart

Waltz for Debby
Detua Ahead
My Romance / Some Other Time
miles Stones

Bill Evans (piano)
Scott Ruffalo (bass)
Paul Motian (drums)

[label] Riverside
[Record] June 25, Village Vanguard in 1961, New York (live)
[Original recording producer] Olin keep news
[ Super Audio CD producer] Hajimeakira Omachi (esoteric Co., Ltd.)
[Super Audio CD re-mastering engineer] Kazuya Sugimoto (JVC mastering Center (Daikanyama Studio))
[Super Audio CD authoring] Atsushiotto Fujita (limited company F)
[commentary] Nozawa Ryusuke

to the 20th century approaching in ■ the best performance and the best sound quality Piano Trio name board
Bill Evans and bassist, is the last name of the performance, which records a collaboration of Scott Ruffalo. Scott Ruffalo after the last few days is this session made a traffic accident has become a veritable farewell. Also friendly song selection as compared to the recording "Sunday At The Village Vanguard" on the same day, is a piano trio immortal name board. But is a record of the last day of the time that had appeared every day in the club "Village Vanguard" in New York, as well as splendor of playing intertwined together of the two, even sound quality as the live recording is also thought to unusual, this I would say one of the disk of the charm. Club of the atmosphere, you have to be a listener, such as a little whisper of the audience is transmitted in the vividness of the more than playing.



FULL HOUSE / Full House
WES MONTGOMERY
Wes Montgomery
(ESSO-90175)

￭ songs
Full House
I've Grown-Akasutamudo-to Her Face
Bruun Boogie
caliber
Whether it rains or shines
SOS

Wes Montgomery (guitar)
Johnny Griffin (tenor sax),
Paul Chambers (bass)
Wynton Kelly (piano),
Jimmy Cobb (drums)

[label] Riverside
[Record] June 25, 1962 Berkeley, California
[original recording producer] Olin keep news
[Super Audio CD producer] Hajimeakira Omachi (esoteric Co., Ltd.)
[Super Audio CD re-mastering engineer] Kazuya Sugimoto (JVC mastering Center (Daikanyama Studio))
[Super Audio CD authoring] Atsushiotto Fujita (limited company F )
[Description] Ryusuke Nozawa

■ perfect situations Obtained, luxury members us to deploy a major blowing session
is recorded live by the highest members of the time that the United States is its name began widely known in the momentum to drop the birds fly Wes Montgomery. Location is the west coast, is played by the gorgeous quintet plus the tenor saxophonist Johnny Griffin in the rhythm section, which had a tour in the group at the time Meissl Davis. Guitarist had been active in the field without leaving the Indianapolis Police, appeared in the New York Wes Montgomery is found in the saxophonist Cannonball Adderley, I put out a record from the Riverside label, of rapidly guitar world first in the human person to Noboritsume have the time of recording, live unique and powerful, is playing that were not considered in the past as a guitarist Wes has been presented at a stroke here. We obtained a great location in the "fountain club" of well-established there was near San Francisco in sound surface, before an audience that was rushed to the overcrowded small shops, big blowing session has been waged.



THE SCENE CHANGES / The scene CHANGES
BUD POWELL
Bud Powell
(ESSO-90176)

￭ songs
Cleopatra's dream
Deyuiddo-deed
Down With It / Dance land
border Rick
Crossing-the-channel
Comin up
Gettin 'THERE
THE scene, CHANGES

Bud Powell (piano)
Paul Chambers (bass)
Art Taylor (drums)

[label] Blue note
[Record] December 29, 1958 New York
[Original recording producer] Alfred Lion
[Super Audio CD producer] Hajimeakira Omachi (esoteric Co., Ltd.)
[Super Audio CD re-mastering engineer] Kazuya Sugimoto (JVC mastering Center (Daikanyama Studio))
[Super Audio CD authoring] Atsushiotto Fujita (limited company F)
[commentary] Ryusuke Nozawa, Hideki Sato

barely pay to challenge ■ again Super-popular board go of the resulting sound was obtained
as "Cleopatra dream of" at the beginning will not famous songs. Popular number one among all of jazz records is probably also whether this song. Fleeting beautiful minor melody, this is what must have many people who think the charm of Bud Powell. But when it comes to the heyday of as a player of Bud Powell, it was 1950 years before and after the previous eight years closer than this recording. Piano previous from been established as a rhythm section, bass, at a time but was his also heyday was created a style that played in only format of drums, which had sent the day-to-day is not good physical condition to enter the 50's, miraculously mind and body of both healthy resulted in a strong, was recorded in just one time is, is this work. In the esoteric, we the mastering of this disk had tried several times, not be finished on the contents absolutely satisfactory, had been abandoned to the release. And we were able to create a sound that barely convincing again of the challenge this time. By adjusting the distortion components as much as possible from the sound of the piano left to master, please listen by all means this sound that was closer to the piano at the time of Bud Powell.



THE SIDEWINDER / The Sidewinder
LEE MORGAN
Lee Morgan
(ESSO-90177)

￭ Tracklist
The Sidewinder
totem-pole / Geirizu notebook
Boy, What-a-night
Hocus - Pocus

Lee Morgan (trumpet),
Joe Henderson ( tenor sax)
Barry Harris (piano)
Bob Cranshaw (bass)
Billy Higgins (drums)

[label] Blue note
[Record] December 21, 1963 New York
[Original recording producer] Alfred Lion
[Super Audio CD producer] Hajimeakira Omachi (esoteric Co., Ltd.)
[Super Audio CD re-mastering engineer] Kazuya Sugimoto (JVC mastering Center (Daikanyama Studio))
[Super Audio CD authoring] Atsushiotto Fujita (limited company F)
[commentary] Ryusuke Nozawa, There Te sono Ruwo

epidemic was "jazz in ■ 60's Rock representative masterpiece of "
Lee Morgan was dashing and debut in the jazz scene as a teenager. There was a terrible thing to his popularity in the late 50's. Own leader work is, of course, a big success even in Art Blakey & The Jazz Messengers, was sent a day-to-day in peak condition including those also legendary solo that "Mornington". However, breaking the physical condition and into the 1960s, returns to his hometown Philadelphia, now to send a life of health maintenance. It appeared to him actively jazz scene that has returned again to New York after more than a year of medical treatment, in the Blue Note chose this work to his return work. Here are lined with original songs of Lee Morgan Unlike the 50's. Beginning songs among them "The Sidewinder" is a representative masterpiece of that was popular in the '60s "jazz-rock". Rise Lee Morgan came also hit charts we have decided to walk the road again superstar in this work.



WE GET REQUESTS / Please request
THE OSCAR PETERSON TRIO
Oscar Peterson
(ESSO-90178)

￭ songs
Korukovado
day-to-day of wine and roses
My One and Only Love
Kai met Miss Jones
People
You Look Good to Me
girl from Ipanema
D. & E.
time and Again
Goodbye JD

Oscar Peterson (piano)
Ray Brown (bass)
Ed Thigpen (drums)

[label] Verve
[Rec] 10 May 1964, 11 month
[original recording producer] Jim Davis
[Super Audio CD producer] Omachi HajimeAkira (esoteric Co., Ltd.)
[Super Audio CD re-mastering engineer] Kazuya Sugimoto (JVC mastering Center (Daikanyama Studio))
[Super Audio CD authoring] Fujita Atsuo (limited company F)
[commentary] Ryusuke Nozawa, oil well Shoichi

is responding to listen ■ fun Yes, the ensemble of the excitement level Max
is the last recording of the Verve label that Major debut since 10 years Oscar Peterson had both the action. Any recording the work in great performance, all but his, which is said to masterpiece, playing content among them, that the overwhelming evaluation is given to the popularity of both is this work. Golden trio and said the base of Ray Brown, also accompaniment also breath of the drums of Ed Thigpen climax. Fun and there is a response listen, ensemble of excitement level Max will be expanded here. Further, the present work has a reputation in the sound quality, even now that through the years of more than 50 years, it is also the in which 20 century immortal of records with a degree of quality, which is adopted as a demonstration disk, such as audio Fair. Songs like the title (original title We Get Request: available upon request) it has been included popular popular songs, good mood. Please can enjoy the fun of jazz to create the Peterso